Living Materials: A Sculptor's Handbook Review

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Living Materials: A Sculptor's Handbook ReviewThe good news is that this is probably the best book available on the materials of sculpture. The bad new is that it was written twenty years ago. (This paperback edition may have been published in 1988, but AFAIK, the text was unchanged from the original 1983 version.)
If you are interested in traditional forms, then this book probably covers everything you need. But if you want information on any materials and/or techniques that came into use post-1970's, you're out of luck. Plastics are a good example: urethane and silicone molding rubbers are given a cursory mention, even though they are quite common now. I don't think polyurethane casting resins (Por-a-kast, Poly 15, etc.) or polyurethane glues (Gorilla Glue, ProBond, etc.) are mentioned at all.
The wood section is surprisingly thin, with a bias toward subtractive methods (carving), even though wood construction is as common--if not more common--in contemporary work.
While there are plenty of photos (all black and white) of classic sculptures, there are a lot of unbelievably bad pieces illustrated--probably chosen for their materials rather than quality. Some are downright hideous.
This is a good resource, but be aware that it is no longer comprehensive.Living Materials: A Sculptor's Handbook OverviewEvery material has an active presence and every material is susceptible to change. The task of the sculptor is to understand the natural properties of a chosen material, to know in the process of creation how best to work with, or against, its characteristics. In this generously illustrated studio manual, sculptor Oliver Andrews takes a new approach to sculpture, focusing on how the innate assertiveness of materials affects the complex act of making a sculpture.

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