Living in the Landscape: Toward an Aesthetics of Environment Review

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Living in the Landscape: Toward an Aesthetics of Environment ReviewWhenever I take a short vacation I take this book with me. It is always a pleasure to read a piece of it--like biting a piece from a candy bar. The author is a major scholar in the field of aesthetics of environment, so the credibility of the author is an established fact. The book contains a rich stream of ideas about aesthetics, environment, landscape, architecture, nature, and alike. Also in the book, the continuity and unity of human and built environments and nature are overarching principles; the engagement of body with environment is seen as essential; and architectural entities, landscape, and environment are all extensions of eachother. It is a delightful book for landscape, architecture, and environment folks as well as anybody who likes to read in these fields.Living in the Landscape: Toward an Aesthetics of Environment OverviewArnold Berleant explores new ways of thinking about how we live-and might live-in the landscapes that enfold us. Through the concepts of "aesthetic engagement" and "environmental continuity," he proposes a new paradigm that offers a holistic approach to the meaning of place and places of meaning in our lives.Although environmental aesthetics is linked in the popular mind to dramatic vistas and monumental landscapes-the Grand Canyon, for example-Berleant is much more concerned with the commonplace settings of everyday life. He argues that our active appreciation of (or "aesthetic engagement" with) the prosaic landscapes of home, work, local travel, and recreation plays a vital role in our discovery of hidden continuities, as well as pleasure and meaning, in the places we inhabit.Berleant begins with a general introduction to environmental aesthetics, identifying the kinds of experience, meanings, and values it involves, and describing its historical sources and the issues with which it is concerned. In the rest of the book, he spotlights new directions in the field-as they relate to education, community, creativity, and the sacred-and provides an insightful analysis of "negative environmental aesthetics." Throughout, he is both thoughtful and entertaining, as evidenced in his extended critique of the pop post-modern environment of Disney World.Berleant addresses issues commonly associated with the environmental movement-e.g., preservation, pollution control, and quality of life. But his study draws from a wide range of disciplines and for that reason should also appeal to scholars and students interested in art and aesthetics, landscape architecture and planning, urban and environmental design, and cultural geography, as well as environmental studies.

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