Kansas City Jazz: From Ragtime to Bebop--A History Review

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Kansas City Jazz: From Ragtime to Bebop--A History ReviewWith vivid descriptions of the "wide-open" town of Jazz era Kansas City and its dramatic denizens, you can envision the scenes of Basie's coming of age, Charlie Parker's KC childhood and musical evolution, big bands dueling each other, glamorous theaters and giant dance halls, bars open 24 hours, remarkable women, "sporting men," police looking the other way, and so much more. The extensive research really pays off with quotations from reviews and ads from "back in the day," interviews with legends, a generous array of photographs, and a cohesive and accessible presentation of information from many sources. The sights, sounds, scents, and sentiments conveyed by Chuck Haddix and Frank Driggs in Kansas City Jazz: From Ragtime to Bebop are the next best thing to a time-machine. Next, Oxford needs to put out a companion CD (or DVD with photos and copies of the original media) with the recordings of the music and performers to help us fully appreciate the musical innovations from the Paris of the Plains.Kansas City Jazz: From Ragtime to Bebop--A History OverviewThere were but four major galaxies in the early jazz universe, and three of them--New Orleans, Chicago, and New York--have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until now. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz. Readers will find a colorful portrait of old Kaycee itself, back then a neon riot of bars, gambling dens and taxi dance halls, all ruled over by Boss Tom Pendergast, who had transformed a dusty cowtown into the Paris of the Plains. We see how this wide-open, gin-soaked town gave birth to a music that was more basic and more viscerally exciting than other styles of jazz, its singers belting out a rough-and-tumble urban style of blues, its piano players pounding out a style later known as "boogie-woogie." We visit the great landmarks, like the Reno Club, the "Biggest Little Club in the World," where Lester Young and Count Basie made jazz history, and Charlie Parker began his musical education in the alley out back.And of course the authors illuminate the lives of the great musicians who made Kansas City swing, with colorful profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, Jimmy Rushing, and Andy Kirk and his "Clouds of Joy." Here is the definitive account of the raw, hard-driving style that put Kansas City on the musical map. It is a must read for everyone who loves jazz or American music history.

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