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Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock ReviewIn TOM AND JACK, Henry Adams, one of the creative contributors to the documentary Ken Burns' America: Thomas Hart Benton, takes a close look at the influence of Thomas Hart Benton on perhaps the greatest American artist of the twentieth century, Jackson Pollock. In this rich and insightful dual portrait, Adams first must rehabilitate Benton's reputation as a prolific, dynamic, and socially progressive realist who rose to fame as a WPA mural painter. Adams looks at Benton's expatriate experiences in Paris, the influence of the now forgotten school of Synchromism on his sense of dynamism, and examines Benton's eventual decline (dismissal really) in the eyes of fellow artists and east coast intellectuals. As a teacher at the Art Students League in New York, Benton enjoyed being an iconoclastic influence on his mostly male students. Pollock and Pollock's brothers, also artists, were part of this group. Although Benton and Pollock were quite different in many ways (Benton was quite learned and well read while Pollock was inarticulate, if not exactly illiterate), they were both highly driven artists who never really felt themselves to be artworld insiders. Adams is at his best when analysing the men's artwork, but he is equally comfortable exploring the psychology of their relationship. Since Pollock spent a good deal of time in psychotherapy, Adams's marshalling of Freudian and Jungian psychoanalytical theories as practiced in mid-century America is not out of place, and his presentation of Pollock's relatiohip with Benton and Benton's wife Rita as classically Oedipal is convincing.In the first part of the book, Adams reveals the abstraction within Benton's realistic paintings; in the second part, he exposes the figurative and orderly elements hidden in Pollock's masterpieces. "It's telling," Adams writes, "that Pollock considered Einstein and Freud the two most important figures of modern times: one delved into the structure of the universe, the other into the structure of the unconscious. The power of Pollock's great drip paintings is that they seem to explore both these mysterious realms" (p. 324).
The book contains 16 pages of color reproductions, but I found it helpful to also consult Ellen Landau's Jackson Pollock, with its exquisite color plates of all of Pollock's major works. (I couldn't find anything comparable for Benton.) TOM and JACK also helped me to better understand Ed Harris's well-made but often elliptical film Pollock. Adams packs a lot into his 400-page dual biography. Its scholarship is well-considered and never bogs down the narrative; TOM AND JACK is a book I'm sure I'll return to again and again as I continue to study and enjoy the work of these two great American artists.Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock OverviewA groundbreaking portrait of the intense personal and artistic relationship between Thomas Hart Benton and Jackson Pollock, revealing how their friendship changed American art. The drip paintings of Jackson Pollock, trailblazing Abstract Expressionist, appear to be the polar opposite of Thomas Hart Benton's highly figurative Americana. Yet the two men had a close and highly charged relationship dating from Pollock's days as a student under Benton. Pollock's first and only formal training came from Benton, and the older man soon became a surrogate father to Pollock. In true Oedipal fashion, Pollock even fell in love with Benton's wife. Pollock later broke away from his mentor artistically, rocketing to superstardom with his stunning drip compositions. But he never lost touch with Benton or his ideas—in fact, his breakthrough abstractions reveal a strong debt to Benton's teachings. I n an epic story that ranges from the cafés and salons of Gertrude Stein's Paris to the highways of the American West, Henry Adams, acclaimed author of Eakins Revealed, unfolds a poignant personal drama that provides new insights into two of the greatest artists of the twentieth century.
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